片名:《馬隆布拉[電影解說]》

類型:短劇

上映時(shí)間:1942

上映地區(qū):其它

導(dǎo)演:Mario Soldati

主演:Isa Miranda,Andrea Checchi,Irasema Dilián,Gualtiero Tumiati,Nino Crisman,Enzo Biliotti,Ada Dondini,Giacinto Molteni,Corrado Racca,Luigi Pavese,Nando Tamberlani,Doretta Sestan,Paolo Bonecchi,Elvira Bon

集數(shù): 更新至0集

語言:

【同輝影院】分享短劇馬隆布拉[電影解說]全集在線免費(fèi)觀看高清720P播放地址，馬隆布拉[電影解說]講述了一個(gè)普通而不平凡的故事，由馬隆布拉[電影解說]的演員Isa Miranda,Andrea Checchi,Irasema Dilián,Gualtiero Tumiati,Nino Crisman,Enzo Biliotti,Ada Dondini,Giacinto Molteni,Corrado Racca,Luigi Pavese,Nando Tamberlani,Doretta Sestan,Paolo Bonecchi,Elvira Bon實(shí)力演繹，不管是微表情還是表演動作上，把角色都塑造得非常成功，每個(gè)角色都有自己鮮明的個(gè)性，讓觀眾們能夠更好地融入到劇情之中。馬隆布拉[電影解說]是1942年上映，非常好看的短劇。

《馬隆布拉[電影解說]》觀后點(diǎn)評：短劇馬隆布拉[電影解說]真是太好看了！馬隆布拉[電影解說]劇情緊湊扣人心弦，每一個(gè)轉(zhuǎn)折都讓人捧腹大笑，同時(shí)又讓人熱淚盈眶；馬隆布拉[電影解說]的音樂選材旋律優(yōu)美，不僅完美地融入到劇情當(dāng)中，還增加了短劇馬隆布拉[電影解說]的劇情氛圍，絕對值得一看。

《馬隆布拉[電影解說]》抖音網(wǎng)友點(diǎn)評：馬隆布拉[電影解說]的臺詞設(shè)計(jì)非常精彩，讓觀眾印象深刻；馬隆布拉[電影解說]的演員Isa Miranda,Andrea Checchi,Irasema Dilián,Gualtiero Tumiati,Nino Crisman,Enzo Biliotti,Ada Dondini,Giacinto Molteni,Corrado Racca,Luigi Pavese,Nando Tamberlani,Doretta Sestan,Paolo Bonecchi,Elvira Bon個(gè)個(gè)演技精湛，從對劇情的精準(zhǔn)把握到表情和動作的發(fā)揮上，都契合了馬隆布拉[電影解說]的故事主題，既滿足了觀眾們對于劇情的期待，又給人留下了思考的空間。是1942年值得一看的短劇。

馬隆布拉[電影解說]講述了：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!