片名:《造物的奇跡》

類型:科幻片

上映時(shí)間:1925

上映地區(qū):其它

導(dǎo)演:Hanns,Walter,Kornblum

主演:Margarete,Sch?n,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl

集數(shù): 更新至0集

語(yǔ)言:其它

【同輝影院】分享科幻片造物的奇跡全集在線免費(fèi)觀看高清720P播放地址，造物的奇跡講述了一個(gè)普通而不平凡的故事，由造物的奇跡的演員Margarete,Sch?n,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl實(shí)力演繹，不管是微表情還是表演動(dòng)作上，把角色都塑造得非常成功，每個(gè)角色都有自己鮮明的個(gè)性，讓觀眾們能夠更好地融入到劇情之中。造物的奇跡是1925年上映，非常好看的電影。

《造物的奇跡》觀后點(diǎn)評(píng)：電影造物的奇跡真是太好看了！造物的奇跡劇情緊湊扣人心弦，每一個(gè)轉(zhuǎn)折都讓人捧腹大笑，同時(shí)又讓人熱淚盈眶；造物的奇跡的音樂選材旋律優(yōu)美，不僅完美地融入到劇情當(dāng)中，還增加了科幻片造物的奇跡的劇情氛圍，絕對(duì)值得一看。

《造物的奇跡》抖音網(wǎng)友點(diǎn)評(píng)：造物的奇跡的臺(tái)詞設(shè)計(jì)非常精彩，讓觀眾印象深刻；造物的奇跡的演員Margarete,Sch?n,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl個(gè)個(gè)演技精湛，從對(duì)劇情的精準(zhǔn)把握到表情和動(dòng)作的發(fā)揮上，都契合了造物的奇跡的故事主題，既滿足了觀眾們對(duì)于劇情的期待，又給人留下了思考的空間。是1925年值得一看的電影。

造物的奇跡講述了：Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.